I've Had Enough (2018)
a reimagining of J.S. Bach's Ich habe genug
for Soprano, Mezzo, Tenor, Bass, piano, clarinet, violin, cello
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5 Pieces for String Quartet and Guitar (2013)
5 Pieces (2013)
for String Quartet and Guitar
Written for the Lungs and Limbs ensemble
Based on water-focused photos by local Vancouver photographer, Sarah (last name coming soon...), these pieces presented me with a real challenge: working with visual elements. Going beyond the toddler-style of my drawings, visual details have a very weak hold in my brain. Even with the aid of a police sketch artist, I fear that those closest to me would appear like complete strangers, based on my descriptions!
Anecdotes aside, working from an image is not my comfort zone, and wouldn't be the first place I'd go for inspiration. With that said, I took on the challenge and came up with some new ways of thinking. In one piece, I based the shape of the musical gesture on the patten formed by rocks in a pond. Another picture reminded me of a rollicking tide... a perfect excuse to write a sea chanty. Because the whole approach reminded me of some issues I worked though in a recent Composer/Choreographer collaboration, I was even moved to include a theme I wrote during that workshop!
The whole project was organized by Chantal Lemire, violist and music theorist extraordinaire! She asked seven composers to write five one-minute pieces, each based on one of the five photos. In concert, the photos will be presented via video. We were encouraged to write for any subset of the whole ensemble, and I certainly did:
Written for the Lungs and Limbs ensemble
Based on water-focused photos by local Vancouver photographer, Sarah (last name coming soon...), these pieces presented me with a real challenge: working with visual elements. Going beyond the toddler-style of my drawings, visual details have a very weak hold in my brain. Even with the aid of a police sketch artist, I fear that those closest to me would appear like complete strangers, based on my descriptions!
Anecdotes aside, working from an image is not my comfort zone, and wouldn't be the first place I'd go for inspiration. With that said, I took on the challenge and came up with some new ways of thinking. In one piece, I based the shape of the musical gesture on the patten formed by rocks in a pond. Another picture reminded me of a rollicking tide... a perfect excuse to write a sea chanty. Because the whole approach reminded me of some issues I worked though in a recent Composer/Choreographer collaboration, I was even moved to include a theme I wrote during that workshop!
The whole project was organized by Chantal Lemire, violist and music theorist extraordinaire! She asked seven composers to write five one-minute pieces, each based on one of the five photos. In concert, the photos will be presented via video. We were encouraged to write for any subset of the whole ensemble, and I certainly did:
- Cello Solo
- String Quartet
- Viola Solo
- 2 Violins and Guitar
- String Quartet and Guitar
PDF and Recordings will be made available after the premiere.
Faces in a Crowd (2011)
Faces in a Crowd (2011)
for Flute, Clarinet, Violin, Cello, and Percussion
This dynamic chamber piece attempts to musicalize a sense of facial identity, relations, and recognition through the rhythmic perspective of the percussionist.
Click here for a PDF of the Score.